Posts Tagged with Tutorial
Before I start, let me say that this is by no means the only way to make a hand drawn font. Ever since I began giving away fonts, I’ve had many requests for me to write a tutorial on my font making process, so here it is. This is how I do it, and depending on your responses, I can go deeper into a FontLab Studio tutorial. This tutorial, however, is designed to reveal my process from start to finish. A lot of you may not have FontLab Studio, so you may need to adapt the second half of the tutorial to whatever font software you may have access to. Here we go.
Many of you might remember my Free High-Res Grungy Paper Textures I gave away a while back. I had a lot of requests for a tutorial on how I actually made those textures, so I here we are. Fire up good ‘ol Photoshop, have a scanner handy, and let’s dive in, shall we :)
If you’re like me, you always want to learn more. Many of you have probably heard of Lynda.com, a great site with thousands of video tutorials on a variety of subjects, but you have to pay for the good stuff. Adobe has recently launched a very slick video site called Adobe TV where you can learn from the pros by watching videos and following along. It’s not quite as structured and comprehensive as Lynda, but it’s free. If you’re between projects, or just need some time to waste, you might just find a diamond in the rough somewhere in the videos.
In this tutorial, I’m going to cover several things that effect the way we use Illustrator brushes. Remember, there are 4 types of Illustrator brushes, and this tutorial will be covering “Art” brushes. There are many things that effect the way your brush stroke will take form, and I hope by the end of this tutorial, you have a better idea of what you can tweak to get the results you’re looking for when using your art brushes.
In the spirit of April Fools day, I wrote a tutorial on something I once considered “tricky.” If you’ve ever run into problems while trying to “Expand Appearance” on your brushes in Illustrator, you’re not alone. Expanding the appearance of your brush work has many helpful uses because you can get paths that outline your shapes, instead of just the brush stroke itself. This helps preserve the shape of your brush work when scaling and allows you to send files to print with outlined paths that prevents problems when the printers open your files, among other things. Let’s get started.
It’s important to note that this will also work in Photoshop, but I’m using Illustrator as an example. If you’re anything at all like me, you have a ginormous font collection and scrolling through the entire list to find the one your looking for can be cumbersome at times. Here’s a quick tip to spend less time scrolling and more time designing.
This is by far the most-emailed question I get here at BittBox. How can you make vector halftones from raster images? Well, our friends at Adobe haven’t seen the need to throw us a bone in this situation yet, but there are some brave souls out there taking on the challenge themselves, and answering the call. I’m going to show you 3 different ways to create vector halftones from raster images, 2 of which are free, and the 3rd is only $15. Grab a random image from your archive, and let’s get to it. . .
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- New Post: http://t.co/yq8XkgjK
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