Hi all, I just got back from 4 days away from home, so here is something to chew on while I get back into the swing of things. If you have ever downloaded (or not) one of my free sets of buttons or webpage elements, you might notice that I use a lot of opacity masks in my Illustrator files. I do this for a number of reasons, some of which may be obvious, but I would like to clarify a little better on how to use these (opacity masks), and why.
In my last post I gave away some seamless vector patterns, and one in this post. Many of you have questioned how to put these to use, and the answer is: Lots of ways. I’m going to illuminate a few different ways to take a seamless vector pattern and put it to use. And believe me, these are not the only ways. Hopefully you can take these tips and find some unique uses for your own personal designs.
I will elaborate on multiple ways to use these patterns in upcoming posts with both Illustrator and Photoshop, but for now, here are 5 seamless vector patterns for your designs. Formats: AI, EPS, SVG, PNG. Tip: instantly turn these 5 patterns into 10 by reversing the fill into a stroke. For those of you without a vector graphics editor, check out InkScape (free) or you can use the PNG provided with a transparent background.
Here is another example of a design play with a single shape. With a single shape, it’s possible to achieve very intricate designs, with a little layering, color, and path manipulation. I’ve been exploring simple shapes and layering lately, and again wanted to share with you a little super-simple inspiration.
It’s often a challenge to really play with typography as a design element itself. It’s no secret that type plays a significant role in a lot of the design world, both print, web, and beyond. But typography itself is a nice easy way to experiment with your design to see what you can come up with, given the circumstances allow for it. I have to sometimes force myself to do this, but it’s a really nice way to add a little extra if done right. Typography, especially scaled way up, can be a powerful addition to your design, and even a texture layer at times. I will use the font Sidewalk from a previous post as an example.
These are 5 of the (in my opinion) best free “grunge” or “eroded” typefaces of late. Three of which are from the same artist/typographer Gyom S?guin. I hope you didn’t miss these, but if you did, you can download them right away. They’re free. I wish I had more opportunities to take advantage of these fonts in a real situation, but I find that it’s always a good idea to keep these fonts around to save time having to look for them later.
Finding High Quality free files on the internet is every designers daily dilemma. Sometimes you don’t have the time to make your own swooshes, or seamless paisley background image. This is why we search, and from my experience, the search can be brutal. There is a lot of crap out there, and sifting through all of the 1990′s “clip art” makes me want to blow chunks sometimes. I have, however, found a way to bypass a lot of the “junk” and get right to the good stuff, relatively speaking. At the very least, call it a freebie search tip.
As you all probably know, adding the word “free” to a Google search can increase your crappy results exponentially. This sucks when all you want to find is a free button, badge, pattern, or anything else that you’re looking for. Nothing out of the ordinary, just quick and free. It doesn’t need to be this hard, and it shouldn’t be because there are plenty of sites out there willing to share free designs but don’t necessarily rank well on Google. This is where we take advantage of both Google, and the social media sites in order to get instant highly relevant results, and quick access to freebies. It’s like using every social bookmarking site at once. Here’s how it works. . .













