Archive for the Illustrator Category
A reader recently asked me about using the eyedropper tool to adjust the (one of 2+) colors in an Illustrator gradient. If you’ve never witnessed this frustration, it is quite annoying. In Illustrator, when using the gradient palette, (Adobe should have figured this out by now) you can’t double-click on one of the gradient color sliders to bring up the color picker? Furthermore, if you click on one of the color sliders of your gradient, and then use the Eyedropper Tool to change that color, Illustrator replaces your gradient fill with a solid color. Every. Time. Although I don’t have a 100% fix for this, I do have a keyboard shortcut to ease your pain…
I don’t know if this would be as useful to you as it is for me, but I leaped for joy when I discovered this little Illy CS3 feature. If you deal with client-delivered vector artwork, this could make your life a ton easier. By selecting any or all of the artwork and then clicking “New Color Group” from the Swatches Palette Options, Illustrator will extract all of the colors in your selection, and add them to your swatches in a nice, neat little group! Detailed instructions below.
I’m going to walk you through a technique to create vintage looking 3d stars in Illustrator. You guessed it, 100% vector. By the time we’re done, there will be 0 (zero) effects, or filters. You will have a very useful vintage star vector on your artboard, and a new skill to go with it. With vector art gaining ground every day because of its long-term value and versatility, new vector art styles are constantly emerging. I’ve seen quite a few of these 3D style shapes that seem to ‘pop’ out at you being used in many different applications. As always, it’s not quite as hard as you would think. You might just need a little shove in the right direction. Ok, lets make one ourselves!
Every once in a while we might find ourselves needing to get that “inset” or “beveled” look for text, probably more often for buttons and web design, than anything else. But whatever reason you might need or want inset text, here’s a quick tip to get that effect without using a filter, effect, layer style or appearance. Why? By not using filters, your file is more solid and reliable, you can open it in previous versions of the same software with less headache, and if you send vector files to print it will give you less errors by only using paths instead of filters/effects. I will be using Illustrator in the example, but this technique can be applied to just about any software you use to set your typography.
You may or may or may not know/use this Illustrator feature, but Layer Masking is a very under-used feature of the Adobe Illustrator series of software. I’m not talking about making a clipping mask. This is entirely different altogether. By making a “layer mask,” you can save precious time by not having to release and reapply clipping masks, and even better – there’s a toggle button in the Layers Palette! Tutorial below.
There is no triangle tool in Illustrator, which to this day, boggles my mind (wtf Adobe?). I have memories of the times when I first started using Illustrator and really tried to get to know the program in depth. This was one of the things that frustrated me regularly (making a perfect, equilateral triangle) until I finally figured out a simple solution. If you use Adobe Illustrator on a regular basis, chances are you might need to create an equilateral triangle every once in a while. This may seem like a simple task, and it is, but not as easy as it should be. I’ll show you how to easily make a perfect triangle path in Illustrator, and hopefully, you will have one less vector headache to deal with in the future.
This may seem trivial to a good many of you, but when I first started using Illustrator, it seemed to present itself as a serious challenge. I want to show you a couple different ways to make your linework a little smoother in Illustrator. With a couple easy tool settings, you’ll be making smooth lines in seconds baby!
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