Archive for the Illustrator Category
BittBox Reader Jeff F tipped me off about this neat little Illy trick. It just so happens that if you hold down the “tilde” key on your keyboard, you can get a neat effect using any of Illustrator’s drawing tools. Holding down the tilde key, (the little squiggly line above the tab key, left of the number 1 on your keyboard.) while using a drawing tool will cause Illustrator to repeat the shape rapidly as you move your mouse. Examples after the jump. Thanks Jeff!
A hidden gem in my opinion, Illustrator’s “Reshape” tool can come in very handy in a variety of situations. In a nutshell, the Reshape tool allows you to drag a single point on a path and it tries to retain the overall shape of the entire path, while you only move the one anchor point. What? I’ll explain below.
This tutorial was requested (by David) and I’m happy to report, it’s really not very hard to do. If you’ve ever used a clipping mask to hide all of the extra artwork that hangs off the edges of your Illustrator artboard, and wished you could just get rid of the excess, here’s how…
We all know that alignment is a huge part of any design. The more control we have over alignment, the better. After a certain point, 100% alignment control gives way to new opportunities to make Illustrator even more useful, like making seamless patterns for example. I want to show you how “anchor points” work in Illustrator, and hopefully send you into control-freak bliss.
Making a custom brush in Illustrator can be easy and frustrating at the same time. No matter which type of brush you create, one of the most important settings to pay attention to is the ‘colorization method.’ If you don’t change the colorization method from the default setting, you won’t be able to customize the colors of your (custom) brush strokes later. Here’s what you need to do…
Again, this is a rather trivial Illy skill, but with a program as robust and sometimes mystical as Illustrator, you can often get something to work and never know why. Other times you can’t get something to work, something that seems like it makes a lot of sense, and all you are missing is a simple ‘bitt’ of knowledge to rid you of your frustrations. In this quick tip, we will touch on the importance of compound paths, as opposed to groups, when applying a single gradient across multiple shapes in Illustrator.
As you might be able to tell by the title, this isn’t an advanced feature, but because of the wildly popular “Illustrator Quick Tips” I’ve been publishing, I’m starting a new series of simple, yet very useful tips aptly named “Illustrator 101.” (I will also be doing this for Photoshop, so keep an eye out for “Photoshop 101″ tips coming soon as well) Sometimes the simplest things can be the most helpful, so to kick of the Illustrator 101 series, we’re going to save ourselves some transforming headaches, and harness a simple scaling option in the Transform palette.
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